Abaddon

There is a moment where Cedric could have fled. But he doesn't. [Set near the end of GoF, gen, PG.]

She's not a girl who misses much. [Alice's perspective, with a hint of Harry/Neville.]

Draco Malfoy always wanted to be remembered. [Harry/Draco]

It is far easier to stay true when you are the only one left. [Harry/Draco, post-War.]

There but for the grace of God go we. [Harry/Draco, the sequel to arcadia.]

Even in dreams, Draco knows he is incapable of the task he has set. [Draco/Terry Boot, Harry/Draco, Harry/Terry, PG-13.]

Tiger, tiger, burning bright. [Harry/Draco, Draco/Terry Boot, Harry/Terry Boot. A study in avoidance.]

Sweet Loretta Martin thought she was a woman, but she was another man. [Ginny/Luna, set during OotP.]

Harry was always going to be victorious. [Harry/Draco]

Act Four of Into the Woods Sequel to playing the game, living the lie, cowboys and angels, and bohemian rhapsody.``"You and I, we've seen it all; chasing our heart's desire. But we go on pretending stories like ours have happy endings." [Harry/Draco, Ron/Hermione, Seamus/Dean, Remus/Sirius, and others.]

He who fights monsters invariably becomes one. [Tom/Ginny, Tom/Harry, R.]

Because all stories have an ending, and every myth has some truth to it. A HP crossover with the Arthurian myth.

Domestic harmony at its lowest. [Tom/Ginny, Hermione/Ginny, R.]

This fairytale is dead and her Prince Charming is nowhere to be found. [Tom/Ginny, Ginny/Harry, R.]

Love is annihilation. [Remus/Sirius, post-OotP.]

After the war: there but for the grace of God go I. [Harry/Draco]

Seamus. Oliver. (And sadly, Justin.) Because we all know Seamus is a fanboy at heart. [Seamus/Oliver]

Terence has a hobby. Terence is not a nice boy. Terence is actually rather creepy. [Percy/Oliver, Percy/Penelope, PG-13.]

That's the way the story ends. [Harry/Draco with a difference, rated R.]

There were times, Seamus decided, when being him sucked. [Seamus/Dean, set during OotP.]

"Learn children, and don’t be a lesbian with commitment issues, or you too will end up like this." Hermione never had a Prince Charming. [Hermione/Ginny]

They were in the library, as people often tended to be when they were studying. [Seamus/Dean, Ron/Hermione.]

What do you want? [Diary-fic, set during CoS.]

There are many things which Percy Weasley is good at. This is one of them.

It was a mystery to the wizarding world, and surprisingly enough, the wizarding world did not like mysteries. [Harry/Draco.]

Be a good boy. Try a little harder. You've got to measure up.

When Percy wants something, he has to figure how to get it. [Percy/Penelope, Percy/Oliver.]

To sum him up in one word, Draco Malfoy hated. [Draco-centric, gen, set after OotP.]

They were outnumbered, they were outclassed, and they were led by Harry Potter.

Marcus is with Oliver. And Percy isn't. [Marcus/Oliver, Marcus/Percy, Percy/Oliver.]

Harry needed. Just as much as she did. [Harry/Ginny, Harry/Draco, not a fic for H/G fans.]

The consequence of celebrity, and how to deal when what you want doesn't last. [Harry/Draco, Harry/OMC, Ron/Seamus.]

Be careful watch you wish for. You may get it. [Harry/Sirius, Sirius/Remus, Harry/Draco, post-OotP.]

The secrets of Malfoy Manor do not easily give themselves up. [Harry/Draco, Harry/Lucius]

The quality of mercy is not strained... What is the price of justice, and who is asked to pay it? [Harry/Draco, post-OotP, angst.]

Tomorrow and tomorrow and tomorrow creeps in this petty pace from day to day to the last syllable of recorded time. Some things defy explanation. A story of love, life and Quidditch (not neccessarily in that order, this is one of them. [Marcus/Oliver, set post-OotP.]

Men will be men, and women will be women, and never the twain shall meet. [Post-OotP, Ginny/Cho.]

Harry Potter gets a rather unusual birthday present. [Harry/Draco, sap, humour.]

Set in a peaceful future, Harry Potter and Draco Malfoy busy themselves with the price of celebrity. [Harry/Draco, fluff, sap.]

One relationship dissolves as another begins, and Colin Creevey guest stars as narrator. [Harry/Draco, Harry/Seamus, sap.]

Sequel to "Smoke." Draco's POV on the same twisted triangle, and what better guide than self-denial?

Our pasts define us, in the end, whether we want them to or not. [Remus/Sirius, set just before OotP.]

First in the 'Follies' sequence, inspired by the songs of Stephen Sondheim. Harry and Ron seem to be living the perfect life, but is everyone happy? [Harry/Ron, Draco/Pansy, Harry/Draco]

“Because if you died, well. Who else would I manage to bicker and have unresolved sexual tension with?” [Post OotP, Harry/Draco.]

Third and final in the 'Follies' sequence, inspired by the songs of Stephen Sondheim. What happened to the road you didn't take? [Harry/Ron, Draco/Pansy, Harry/Draco]

How might JKR have got her inspiration? [Harry/Draco]

Second in the 'Follies' sequence, inspired by the songs of Stephen Sondheim. Pansy is Mistress of Malfoy Manor, and luckiest wife in the wizarding world. [Harry/Ron, Draco/Pansy, Harry/Draco]

Draco Malfoy always remembered his first brush with fame. [Harry/Draco]

Set in Sixth Year, both the wizarding and Muggle worlds are threatened as Voldemort plans a final revenge. Past, present and future collide as all must consider where their loyalties lie; who they are, and who they want to be. Amidst it all, Harry and Draco begin a dangerous journey of understanding. Is it possible to leave everything you thought you were behind?

The past is dead, long live the past. Trapped within the ruins of their own lives, shattered and changed by Voldemort's fall, those left behind make do with what they have left. In this world healing from the scars of war a new generation arises and takes it place amongst the halls of Hogwarts. And in the background, one family quietly falls apart, and the world changes.``A series of moments between 1981 and 1996. Sequel to Bohemian Rhapsody, Act Two of Into the Woods.

A series of vignettes each depicting a moment in the past that continues to haunt us all. Tom, Lily, James, Narcissa, Severus, Lucius, Remus, Sirius and Peter all become caught in the fixed tragedy of what must happen.

Just before Second Year, Lucius gives his son a present for his birthday: a battered old diary. What does Draco find within the pages? [Tom/Draco, Draco/Harry.] Set between Bohemian Rhapsody (at The Dark Arts) and Playing The Game, Living The Lie (at Schnoogle.)

Even though Draco has everything he wants, could he ever admit it? And what price will others have to pay for his denial? Ron's POV on a twisted little triangle. [Harry/Draco, Draco/Ron]

Sometimes, you have to ask forgiveness, even when you know you don't deserve it. A future-fic. Harry/Draco.

Many years after the War is over, two worst, best enemies come together yet again....Will history repeat yet again? [Harry/Draco]

In the darkest days of the War, the Boy Who Lived needs something - or someone - to fight for. Who can talk him back from the brink? [Harry/Draco]

Third story in the 'Sweet Dreams' sequence. A final visit to the graveyard. Some people will always find themselves second-best. Harry/Draco.

Second story in the 'Sweet Dreams' sequence. Again, someone visits the gravevard, trying to make restitution. Harry/Draco.

After the War, one solitary soul visits the graveyard of the fallen to reflect. First story in the 'Sweet Dreams' sequence. Dark. Depressing. Character Death. Definitely anti-fluff.

Ever wondered why Book 5 is so late? Or why certain slash pairings seem so right but will never make it into the books? Curious as to what is lurking beneath J.K.R’s perfect fairy tale of struggle and success? Then read on!