Death Beds, Love Songs, and Ancestors

After a violent collision and a dubious pairing in Defense Against Dark Arts, Pansy sets out to prove to Ron that there’s much more to being a Slytherin than heralding from a long line of Dark Witches and Wizards. Under Pansy’s influence, Ron begins to understand the duality of war, and his friendships with Harry and Hermione, already strained, disintegrate completely with ominous results.

After a violent collision and a dubious pairing in Defense Against Dark Arts, Pansy sets out to prove to Ron that there's much more to being a Slytherin than heralding from a long line of Dark Witches and Wizards. Under Pansy's influence, Ron begins to understand the duality of war, and his friendships with Harry and Hermione, already strained, disintegrate completely with ominous results.

Pansy seeps into Ron's daily routine, armed with silky language and rational pontification, causing him to question the barriers and motivation behind sorting, and, indeed, the idea house division. Depth beyond what the other thought possible. The Immovable Object meets the Irresistible Force.

A bit of a Shakespeare car wreck. Some Romeo and Juliet, some Othello, some As You Like It and a dash of Julius Caeser for flavor. Starring everyone's favorite Slytherin, Pansy Parkinson.

Wherein Pansy and Ron sneak off, wherein Amaltha comes face to face with the dead, wherein Harry begins to show signs of strain...

Cynthia and Minerva discuss the idea of a 'breaker', Ron and Harry have a difference of opinion, Pansy punches Hermione in the face and Erica Cain tries to convince Ron that he's doing the right things, but to the wrong girl.